The MB&F team moves into the M.A.D.House

For years, the MB&F offices had been split over two locations. There was the M.A.D.Gallery on Rue Verdaine in the heart of Geneva’s old town. Then, there was the main workshop address on Boulevard Helvétique, a few minutes away from the M.A.D.Gallery on foot. But both the M.A.D.Gallery and the Boulevard Helvétique offices were getting fuller and fuller. And it was time to bring every-one together under one roof.

At the end of 2019, the search began for a bigger office, one that could accommodate all the different departments of the company and allow them to interact seamlessly, fluidly, as one creative organisation. That was the logistical side of things. On a more philosophical note, this new location would also have to reflect what MB&F stood for and what its people were working towards. The quest was on to find the MB&F team its new home.

A jewel from Geneva’s historical architecture
After a long search that was interrupted for much of 2020, the choice was made of splendid residence built between 1907 and 1908. Spread across three levels – four including the basement – it was the ideal place in which to unite all the brand’s activities.

The property that became the M.A.D.House was originally a joint project by the well-known architect Edmond Fatio (1871-1959) of Geneva and Charles Meysson (1869-1947) of Lyon; it was conceived as the private home of a wealthy family of industrial entrepreneurs and won an architectural prize in the year of its completion. Its construction, in the style known as Heimatstil, is characterised by a romanticised interpretation of historical architecture, a prescient nod towards its future occupants, who rework and re-dream traditional horology for the modern age. Its half-timbered exterior with rusticated stone walls recalls the castles and buildings seen in illustrated books of folklore – a fitting abode for a company whose creations were first inspired by the mythologies of science fiction and fantasy.

A hive buzzing with creativity
It takes a certain kind of vision – some might say madness – to straddle past, present and future all at once. Like the watches of MB&F, the M.A.D.House contains elements of all three. Framed by historical architecture, filled with objects that tell the story of contemporary horological art and inhabited by a team resolutely oriented towards the things yet to come.

Most days, the house can barely contain the flurry of activity generated within its walls. It’s the kind of liveliness you’d expect from having over 40 people together focused on the singular task of building and growing a company like MB&F. Multiple exterior doors lead towards a central staircase and atrium, creating a convergence of motion, an arterial confluence that hums and buzzes with comings and goings. There’s even a concealed passageway behind the stairs, a quaint artefact of the house’s original design, built for those in a hurry with too much to do and not quite enough time to do it all in.

On the ground floor, watchmakers assemble movements at custom-built workbenches in rooms flooded by natural light, surrounded by wood panelling and hand-painted ceramic tiles from the time the house was first built. Also on the ground floor, a reception area echoes the aesthetic concept of the M.A.D.Gallery and leads onto the central stairwell, with wood newels that retain their original engravings from 1908. The upper floors are home to departmental offices, with the product creation team on the top floor, creating an organic flow of movement throughout the multi-storey space.

Not a dull wall in sight
Light and space are precious commodities in any office environment and the M.A.D.House is replete with both, thanks to its unobstructed location in three hectares of parkland. Objects and artefacts from the MB&F universe are scattered around the house, from the Jean Kazès clock on the central stairway to the photography prints by Marc Ninghetto, Ulysse Fréchelin and other artists on the walls and shelves.

The central stairwell has become an installation of sorts, featuring a rotation of artists who will take it in turns to apply their vision to the white walls. The first artist to put his mark on the M.A.D.House in this way is Maxime Schertenleib, a Swiss illustrator and comic strip artist known for his highly detailed urban landscapes filled with human activity. Stepping out of the house, you’re greeted by an outdoor wind sculpture, the work of American kinetic sculptor Anthony Howe. His creations play with geometry and fluid dynamics, moving and swirling in the wind to produce hypnotic metallic waves, providing visitors to the M.A.D.House with a little foretaste of the mesmerising creations coming to life indoors.

February 22, 2024