A partner of the Louvre Museum since 2019, Vacheron Constantin put up for auction a Les Cabinotiers watch at the “Bid For the Louvre” sale organised online from December 1st to 15th by the Louvre Museum and Christie’s, with the support of Drouot, from which the entire proceeds will be donated to the museum’s solidarity projects.
More than a watch, this model represents a unique opportunity for its buyer to enjoy an unforgettable experience poised at the intersection of art and craftsmanship, between Paris and Geneva.
This watch was the only horological lot among the unique and exclusive pieces up for auction. This participation was a natural choice for the Manufacture, testifying to its profound attachment to art and culture as well as its concern for safeguarding and passing on heritage in all its forms.
The acquirer of this exceptional piece has the opportunity to personalise it through full participation in its creation, along with experts and master craftsmen of Vacheron Constantin and Le Louvre. In addition to the dial, which will reproduce an artwork from the Louvre Museum, they will be able to choose the case material – platinum or pink or white gold – to have an engraving made on the officer-type case-back; and to opt for a strap from among the many possibilities of materials and colours. This timepiece will be powered by in-house Calibre 2460 SC, crafted according to the demanding standards of Vacheron Constantin and Haute Horlogerie in terms of both reliability and finishing.
For the successful bidder, the adventure will begin in Paris, during a private visit to the Louvre led by its best expert, in order to select with him the masterpiece that will be reproduced in enamel on the dial, from among the paintings and sculptures conserved in the Museum. According to the choice made and the client’s preference, the Vacheron Constantin Master enameller will use the miniature enamel or grisaille enamel technique.
At the close of this exclusive experience, the purchaser will receive their watch, accompanied by two certificates of authenticity: one from Vacheron Constantin; and another from Louvre Museum certifying the reproduction of the artwork.
December 10, 2020

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